Portrait of a Lady with white ruff, Black Dress with burgundy sleeves and lace head dress

Jan Van Ravesteyn
Attributed to (1572 - buried 21 June 1657) Dutch
Title Portrait of a Lady with white ruff, Black Dress with burgundy sleeves and lace head dress
Category Recently Sold
Medium & Size Oil on panel: 19x15 inches. Framed size: 23x19 inches. Hand carved 18th century gilt frame.
Price Band £5,000 - £10,000
Location Barn Gallery
Biography

Van Ravensteyn was a successful painter to the Dutch court in The Hague. He was born in The Haguealthough it is unknown who taught him how to paint, but he was a follower of the Delft portrait painter Michiel Jansz van Mierevelt.

Van Ravesteyn is mentioned there in the city archives 1597. From 1598 until his death he lived in The Hague, where in 1598 he became a member of the Guild of St. Luke of The Hague. In 1604 he married Anna Arentsz van Berendrecht and in the same year he was mentioned as a good painter by Karel van Mander (though his earliest dated works are from 1611). In 1608 he bought a house on the Molstraat and in 1628 he moved in the Molstraat. In 1640 his wife was buried and in the same year his daughter Marie married one of his pupils, the painter AdriaenHanneman. In 1654 he moved to the Nobelstraat next to the house of his daughter. In 1656 he left the guild with a group of dissatisfied painter friends and was one of the founders of the Confrerie Pictura. He was a Catholic and his name occurs often as a witness in the records of the church in the Molstraat, such as for the marriage of his daughter Agnes in 1641 with Willem van Culemborgh.

His portrait was painted by Sir Anthony van Dyck and he produced Schutterstu  works. His workshop produced many portraits for the royal house of Nassau and he competed with Miereveld for several commissions.

 

Provenance:Ex Collection of Captain Edward G. Spencer- Churchill of Northwick Park, and cousin to Sir Winston Churchill.The collection was sold by Christie's in 1965. Items from this collection can be found in the National Gallery, London. Christies lot stencil verso.

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